"Michael Parker has captured a time, place, and sisterhood so perfectly it hurts to turn the last page. A riveting, atmospheric dream of a novel.” --Dominic Smith, author of The Last Painting of Sara de Vos
Set in the hardscrabble landscape of early 1900s Oklahoma, but timeless in its sensibility, Prairie Fever traces the intense dynamic between the Stewart sisters: the pragmatic Lorena and the chimerical Elise. The two are bound together not only by their isolation on the prairie but also by their deep emotional reliance on each other. That connection supersedes all else until the arrival of Gus McQueen.
When Gus arrives in Lone Wolf, Oklahoma, as a first time teacher, his inexperience is challenged by the wit and ingenuity of the Stewart sisters. Then one impulsive decision and a cataclysmic blizzard trap Elise and her horse on the prairie and forever change the balance of everything between the sisters, and with Gus McQueen. With honesty and poetic intensity and the deadpan humor of Paulette Jiles and Charles Portis, Parker reminds us of the consequences of our choices. Expansive and intimate, this novel tells the story of characters tested as much by life on the prairie as they are by their own churning hearts.
“In the tradition of Katherine Anne Porter, Parker’s exceptional tale explores the power and strength of kinship on the harsh American frontier.”
“Parker's chimerical slipstream of a novel asks, Is it better to hew to that which is, or to see the world as you wish? Readers will surely be pulled deep into the strange and wild river of Elise's fanciful peregrinations.”
—Booklist, starred review
“A frontier tale of sibling rivalry. . . Parker's novel isn't as much about sisterhood as love, as the two struggle to reckon with their estrangement head-on; some of the novel's most powerful sections are Elise's letters to Lorena, addressed not directly to sis but to the horse she rode during the blizzard . . . the easygoing, sometimes-smirking nature of the prose (True Grit comes to mind) makes the novel a pleasant ride.”
“Michael Parker has captured a time, place, and sisterhood so perfectly it hurts to turn the last page. Prairie Fever is a riveting, atmospheric dream of a novel.”
—Dominic Smith, author of The Last Painting of Sara de Vos
“What a terrific book this is, wonderful and strange . . . a whole family acting out what can and can’t be forgotten, against the backdrops of prairie and range—characters so magnificently and sometimes comically stubborn I really couldn’t put the book down. And what other novel has a character writing letters to a dead horse? I was completely taken by this book.”
—Joan Silber, author of Improvement
“Let me just say that Prairie Fever—concerning the lives of the Stewart sisters of Lone Wolf, Oklahoma, in the early years of the twentieth century—is the most beautiful novel I have read in quite some time. Taking a cue from the irrepressibly inventive younger sister, Elise, I soon began reading it aloud to someone I love, and the novel more than rewards such a shared experience. The language is that graceful and original, the events and characters (horses included) that spellbinding and funny and moving; and always the melancholy beauty and mysterious power of the open prairie shine through. To borrow a phrase from Mr. McQueen—first encountered as a young teacher in a one-room schoolhouse—one comes away from the novel with a keener sense of 'how one ought to go about living one’s life.'”
—Tom Drury, author of Pacific
“Prairie Fever is an exceptionally charming novel about the wonders and troubles of love, land, and language. Witty and poignant, the novel is as elegantly constructed as a poem, and it features the best dialogue this side—or any side—of the Natchez Trace. Yet another wonderful book from Michael Parker.”
—Chris Bachelder, author of The Throwback Special
“That a love story of this strangeness and rightness can come out of the event of a girl nearly dead in a storm is a testament to the wonder that is Michael Parker’s talent. Not least, he’s invented a language, a formal way of speaking that is perfectly suited to his people and to this dreamy novel.”
—Jane Hamilton, author of The Excellent Lombards
Michael Parker is the author of six novels and three collections of stories. His short fiction and nonfiction have appeared in the Washington Post, the New York Times Magazine, the Oxford American, Runner’s World, Men’s Journal, and other publications. His work has been anthologized in The O. Henry Prize Stories and The Pushcart Prize. He is the Nicholas and Nancy Vacc Distinguished Professor in the MFA Writing Program at the University of North Carolina at Greensboro. He lives in Saxapahaw, North Carolina, and Austin, Texas.